Skip to main content

Posts

Showing posts from December, 2017

An Unexpected New Stop on the Road to Broadway: Edmonton

By MICHAEL PAULSON via NYT Theater http://ift.tt/2jOvklX

He Was a Snob About Musicals. Then He Tried Out to Play Hamilton.

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2C8m6IQ

Review: ‘Anastasia,’ a Russian Princess With an Identity Crisis

By BEN BRANTLEY via NYT Theater http://ift.tt/2pul9Yx

What’s New in NYC Theater

By ALEXIS SOLOSKI via NYT Theater http://ift.tt/2lllTuv

An Antidote to Digital Dehumanization? Live Theater.

By AYAD AKHTAR via NYT Theater http://ift.tt/2EfEbWm

Review: ‘Jersey Boys,’ Downsized

By ELISABETH VINCENTELLI via NYT Theater http://ift.tt/2lncrGL

Bill Murray Relives a Role, Seeing Broadway’s ‘Groundhog Day’

By SOPAN DEB via NYT Theater http://ift.tt/2vDsveG

Review: ‘The Play That Goes Wrong’ Upends a Whodunit

By BEN BRANTLEY via NYT Theater http://ift.tt/2oPylXG

‘Hamilton’ Leads a Strong Week on Broadway

By PETER LIBBEY via NYT Theater http://ift.tt/2Dr8uZ0

Review: ‘Once on This Island,’ Revived and Ravishing

By JESSE GREEN via NYT Theater http://ift.tt/2khfxzd

‘Hamilton’ Rounds Off a Year When London Theater Embraced the New

By MATT WOLF via NYT Theater http://ift.tt/2pHEUfO

Review: In ‘Mary Shelley’s Frankenstein,’ a Monster to Love

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2CfOCez

Capturing the Short, Glamorous Life of a Forgotten Broadway Lyricist

By JOSHUA BARONE via NYT Theater http://ift.tt/2z4gGfs

Review: ‘Red Roses, Green Gold’ Brings Back the Grateful Dead

By ELISABETH VINCENTELLI via NYT Theater http://ift.tt/2zhNbep

A Wheelchair on Broadway Isn’t Exploitation. It’s Progress.

By NEIL GENZLINGER via NYT Theater http://ift.tt/2lkjZKm

Review: ‘Hello, Dolly!’ Is Bright, Brassy and All Bette

By BEN BRANTLEY via NYT Theater http://ift.tt/2o9VbJC

Review: ‘The Wolves’ Are Back in a Rush of Combustible Energy

By BEN BRANTLEY via NYT Theater http://ift.tt/2mPxN3y

Race, Money and Broadway: How ‘Great Comet’ Burned Out

By MICHAEL PAULSON via NYT Theater http://ift.tt/2xKzmjS

Review: ‘SpongeBob SquarePants,’ a Watery Wonderland on Broadway

By BEN BRANTLEY via NYT Theater http://ift.tt/2zPuFqn

Review: ‘Park Plays’ Draw Inspiration From the Queens Landscape

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2vmKLJR

Sam Shepard, Actor and Pulitzer-Winning Playwright, Is Dead at 73

By BEN BRANTLEY via NYT Theater http://ift.tt/2vfi3tv

Yiddish-Language ‘Fiddler on the Roof’ Is Coming to New York

By SOPAN DEB via NYT Theater http://ift.tt/2zxQyd3

Gracie Gardner Wins Prize for Play With Unprintable Title

By PETER LIBBEY via NYT Theater http://ift.tt/2DV9FRR

6 More Shows to See if You Still Need Holiday Spirit

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2DLtSJr

Big Critic, Little Critic? Me, My Daughter and the Rockettes

By ALEXIS SOLOSKI via NYT Theater http://ift.tt/2DKqLBA

2 French Playwrights Reclaim Their Works, Bringing Them Home

By LAURA CAPPELLE via NYT Theater http://ift.tt/2kYLwky

Don’t Despair, Protest: Playwright Lucy Kirkwood Sees No Other Choice

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2zg3ZxV

Review: John Leguizamo Goes for Easy Laughs in ‘Latin History’

By JESSE GREEN via NYT Theater http://ift.tt/2yKCFbK

Theater Professionals Can Seek Mediation in Sexual Harassment Cases

By PETER LIBBEY via NYT Theater http://ift.tt/2BTDZ0W

Bidding Adieu to That Wondrous Songbird Barbara Cook

By STUART EMMRICH via NYT Theater http://ift.tt/2yZlGBG

Capturing the Short, Glamorous Life of a Forgotten Broadway Lyricist

By JOSHUA BARONE via NYT Theater http://ift.tt/2z4gGfs

10 More Plays Where the Future Forecast Is Grim

By ALEXIS SOLOSKI via NYT Theater http://ift.tt/2BRoc2q

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

By ALEXIS SOLOSKI via NYT Theater http://ift.tt/2DfkNZj

Royal Court Reverses Decision to Cancel ‘Rita, Sue and Bob Too’

By ANNA CODREA-RADO via NYT Theater http://ift.tt/2kgWlPd

A Donna Summer Musical Heads to Broadway

By ANDREW R. CHOW via NYT Theater http://ift.tt/2BIFPlb

When Disenfranchised Lives and American Ideals Collide Onstage

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2kgeMDP

Review: Waltzing With Love and Death in ‘Hundred Days’

By BEN BRANTLEY via NYT Theater http://ift.tt/2iR3bxH

Adam Driver’s Nonprofit Seeks Soldiers for the Stage

By REGGIE UGWU via NYT Theater http://ift.tt/2zFHKFt

Review: ‘The Wolves’ Are Back in a Rush of Combustible Energy

By BEN BRANTLEY via NYT Theater http://ift.tt/2mPxN3y

Review: Mark Rylance Returns to Broadway as a Mad Monarch to Cherish

By BEN BRANTLEY via NYT Theater http://ift.tt/2oxb2m3

Review: ‘Bulldozer,’ a Robert Moses Musical With a Rickety Foundation

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2Cs3dQq

How to Do Broadway

By LAURA COLLINS-HUGHES via NYT Theater http://ift.tt/2A2ePK2

Smiley’s Martin Luther King Stage Show Scuttled in Wake of Misconduct Allegations

By ADAM NAGOURNEY via NYT Theater http://ift.tt/2jZlMok

‘He’s All Impulse’: Making Disney’s ‘Pinocchio’ Naughty Onstage

By MATT TRUEMAN via NYT Theater http://ift.tt/2AIhufp

Review: Finding Serenity in a Tempest-Tossed ‘Twelfth Night’

By BEN BRANTLEY via NYT Theater http://ift.tt/2B1teXi

Bruce Springsteen’s Tenure on Broadway Has Been Extended

By PETER LIBBEY via NYT Theater http://ift.tt/2iYqW3n

What’s New in NYC Theater

By ALEXIS SOLOSKI via NYT Theater http://ift.tt/2ClO8kr

Chrissy Metz Will Make Her Stage Debut in ‘Fat Pig’

By ANDREW R. CHOW via NYT Theater http://ift.tt/2ACDmcl

London Cancellation of Play About Abuse of Power Draws Criticism

By ANNA CODREA-RADO via NYT Theater http://ift.tt/2C8ngTN

The Paranormal Turns Pedantic in ‘The Twilight Zone’ Adaptation

By MATT WOLF via NYT Theater http://ift.tt/2j5OsLP